It’s the story that inspired Moby Dick. Whether by murder, negligence or a set of circumstances beyond our control, the fear of causing the death of someone we love is a big one. In this way you shall make life as hard as possible for your dear charrie, and we all know that characters with hard lives are the ones that make good stories. What things would naturally cause fears in the backstory you've developed? He fears physically from the Spirit Bear's power. What is a character chat? Fear #7:  Lost reputation, divorce or scandal. Okonkwo’s fear was greater than these. A phobia is a type of anxiety disorder. But this post has caused me to think on a deeper level about what her fears are. Major conflict because of a misunderstanding. Seriously, I'll start shrieking if one gets too close (I. That right there is why you need to know your character’s irrational fear. If you feel like a certain fear would make the plot better, then work a reason for the character to have it into the backstory. You must be cunning with this and choose the best (or, for them, worst) fears for your characters to hold. Some examples: Dante, The Divine Comedy (Count Ugolino and his children); Samuel Taylor Coleridge, “The Rime of the Ancient Mariner” (“Water, water, every where, nor any drop to drink”); Charlotte Bronte’s Jane Eyre; Elie Wiesel, Night; Susanne Collins’ The Hunger Games. It's a lot of phrases describing fear, including physical reactions, physical sensations, facial… For understandable reasons, this fear is less common than more general fear of death, but it is out there and memorable nonetheless. Fear #9:  The law and, more specifically, lawyers. Give villains explicit or implicit trauma. A phobia is a strong, irrational fear about something that poses little or no threat. Just enough to make her keep her distance when visiting her best friend's house, but not enough to send her screaming unless the dog leaps at her. 10 Things to Consider When Namin... Found at https://www.pinterest.com/pin/559009372468708955/. Some examples:  Giovanni Boccacio’s Decameron; Daniel Defoe’s Journal of the Plague Year; Oscar Wilde, The Portrait of Dorian Gray; Albert Camus, La Peste (The Plague); Ian McEwan, Atonement; Jonathan Franzen, The Corrections. Â. Some fears aren't really rooted in anything we remember but others began from something in our pasts. :)Stori Tori's Blog. This fear is illogical, yet it has dictated much of my day, and if I had an option that didn’t involve needles, I’d take it. It usually takes serious and even majestic forms in literature. Is fear a creative way to healthy outcomes? Numerous operas by Verdi, including Rigoletto and Un Ballo in Maschera use this theme, sometimes more than once; in fact, opera thrives on this fear, as in Bizet’s Carmen. Some examples:  Homer, The Odyssey; Defoe, Robinson Crusoe; Jonathan Swift, Gulliver’s Travels; Tolstoy, War and Peace; Yann Martel, Life of Pi. This actually escalated to PTSD. Others have given some great examples of those who have dealt with fear and anxiety, there are many more in the scriptures.I realize this wasn’t your question but here are a few comforting verses dealing with anxiety. Some examples:  The Bible; Aeschylus, The Oresteia; Nathaniel Hawthorne, The Scarlet Letter; Dickens, Bleak House; Franz Kafka, The Trial; Arundhati Roy, The God of Small Things. Inspiration From the Battle of Gettysburg, Make Them Run! Often, fueled by programs seen on television, children's fantasy fears, such as ghosts, dragons, and supernatural characters, find their way into the preschooler's play and dreams. Desire for power – the … The Power of Fear in Characterization. Tie these together using fears. Some examples:  Patroclus dying for Achilles in Homer’s The Iliad; Othello killing Desdemona in Shakespeare’s Othello; Thomas Hardy, Jude the Obscure (“Done because we are too menny”); D.H. Lawrence’s Women in Love (Gerald choosing to die rather than kill Gudrun); Gillian Flynn’s Gone Girl. Character development questions If you’re looking for a way to further develop your characters in order to create lifelike and realistic personalities, we have a way to help. Your sympathetic nervous system deals with arousal and expending energy so you are ready to either fight or run. Above is an example of what a character arc looks like on paper and how you can utilize plot elements in order to further your character’s development. For instance, a character could be a bit scared of dogs. Out for a few ideas or brainstorm a few more ideas, check out this of... 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